The green screen is a Hollywood staple. Should it be? It's easy to complain about overreliance on special effects, but for projects that require impossible-to-film environments or have incredibly expensive shots, how do you get the flexibility of green screens without the drawbacks? Charmaine Chan has worked on one of the possible answers. Vox's Phil Edwards spoke to her about her career and how it's at the forefront of a big technological shift. (Sourced from Vox - YouTube)
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